Pratt Institute’s School of Information and Library Science has received an Institute of Museum and Library Services (IMLS) grant through the Laura Bush 21st Century Librarians Program to train next generation art and museum librarians in the NYARC libraries. M-LEAD-TWO (Museum Library Education and Digitization Technology-Web-Online) is a three year grant that provides scholarship support for 15 diverse MSLIS students (five per year) and a two-semester paid internship program.
A is for A show I just Assembled About Artists' Alphabet books. Each letter of the Alphabet is represented by A book. You'll be Amazed how many different ways that Artists interpret the ABCs.
Collecting a rich array of scholarly research materials for the study of Western art held by museums and galleries all over the world has always been one of the core missions of the Frick Art Reference Library. It should come as no surprise then that the Library has one of the most comprehensive collections of catalogs of European fine arts from the Hermitage Museum in St. Petersburg, with an especially rich selection of nineteenth-century imprints.
Your history books will tell you that the advertising industry as we know it in was born in the 1920s. Your television will tell you that it really took shape in the 1960s. The Brooklyn Museum Libraries and Archives own several scrapbooks which show that some aspects of our modern advertising industry were born much earlier. The current Library display exhibition at the Museum Library includes one of these scrapbooks, a number of loose tradecards advertising various businesses, many of them in Brooklyn, as well as books and postcards.
Kids, animals, and pretty girls: amateur photography publications are full of them.
I recently discovered that it's been that way since the earliest years of photography. Because I trolled through a hundred or so of these publications for the current MoMA Library show "How to Make Good Pictures:" Manuals and the Popularization of Amateur Photography.
The New York Art Resources Consortium (NYARC) directors are planning for the future. Recently, we secured an Andrew W. Mellon Foundation grant to explore collecting born-digital (i.e., originating in a digital format) art historical materials.
As the Art Libraries Society of North America (ARLIS/NA) intern for 2012, I am fortunate to be spending time at all three New York Art Resources Consortium (NYARC) libraries. The Frick Art Reference Library and those of the Brooklyn Museum and The Museum of Modern Art (MoMA) share many attributes. One of these is the important role that collecting expeditions played in increasing the holdings of each institution. Interestingly, in the early twentieth century these libraries supported major expeditions that were led by women. These bold travelers came from a variety of backgrounds and socioeconomic classes and were ahead of their time.
As we were brainstorming a name for our Library exhibition of contemporary experimental magazines, Millennium Magazines stuck because of its concise alliteration. The name also specifically isolates this recent period of time - post-Y2K - where these publications have been flourishing despite constant conversations about the end of print culture. Working in a library, this is a particularly hot topic as we think about the future and how best to accommodate new modes of publishing. The exhibition, now on view at MoMA in the Lewis B. Cullman Education building at 4 W 54th St., aims to complicate this assumption that print is dead.
