Making Millennium Magazines

  • Posted on Apr 04, 2012 by

As we were brainstorming a name for our Library exhibition of contemporary experimental magazines, Millennium Magazines stuck because of its concise alliteration. The name also specifically isolates this recent period of time - post-Y2K - where these publications have been flourishing despite constant conversations about the end of print culture. Working in a library, this is a particularly hot topic as we think about the future and how best to accommodate new modes of publishing. The exhibition, now on view at MoMA in the Lewis B. Cullman Education building at 4 W 54th St., aims to complicate this assumption that print is dead.


Edible Art

  • Posted on Mar 26, 2012 by

I recently walked through the Elizabeth Sackler wing on the 4th floor of the Brooklyn Museum and found myself at Judy Chicago’s The Dinner Party. This led, quite naturally, to thoughts of food and entertaining. Food evokes an emotional response through both flavor and presentation, and new recipes are the result of creativity. All of these qualities tie the edible to the artistic. Entertaining, too, has a connection to art. The host picks china, glassware, and linens that please the eye and sprinkles them with food to please the tongue and conversation to please the ear. A dinner party could be described as a performance piece enacted by the host and guests. This connection has resulted in a gorgeous array of artists’ books on the subject of food and entertaining.


Inventories of Amsterdam Art Collections

  • Posted on Mar 15, 2012 by

The Frick Art Reference Library is proud to host the Montias Database of Dutch Art Inventories, compiled by the late Yale University professor of economics John Michael Montias (1928–2005). The database contains information from 1,280 inventories, stored in the Stadsarchief Amsterdam (State Archive), of paintings, prints, sculpture, furniture, and other goods owned by people living in Amsterdam during the sixteenth and seventeenth centuries. This information includes records for the 51,071 individual works of art listed in the inventories and is therefore an invaluable research tool that can help elucidate patterns of buying, selling, inventorying, and collecting art in Holland during the Dutch Golden Age.


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