I have been interning with the Brooklyn Museum Libraries and Archives since August 2013 as part of the IMLS grant-funded M-LEAD-II Project; a collaborative project between Pratt Institute-SILS, the Brooklyn Museum, the Frick Art Reference Library and The New York Art Resources Consortium (NYARC). Following a collection plan, I have been carefully reviewing and cataloging art auction catalogs from the library’s permanent collection.
The MoMA Library's current exhibition celebrates the innovative mail artist Edgardo Antonio Vigo, bringing together his mail art, visual poetry, performative actions, and expanded publications to shed light on this little-known artist and his role in Argentine experimentalism. Beginning in the 1960s, from his quiet hometown of La Plata, Vigo and fellow local artists developed an extensive network of contacts in Latin America and Europe, making the city a hub of the international mail art network.
In his introductory speech at the first joint Frick Collection and Institute of Fine Arts (IFA) Symposium on February 23, 1940, Frederick Mortimer Clapp, Director of The Frick Collection, stated that the purpose of the gathering was for graduate students “to do now what you will in a few years…to enlighten us, the older generation…on the results of your preliminary studies” (Clapp, 2